The first Inbetweeners
movie pulled off one of the most notoriously difficult feats in cinema -
converting a popular sit-com into a feature length film. Where the likes of Sex in the City and Kevin and Perry Go Large had dramatically failed, the channel four
comedy about four pathetic suburban six-formers eased into the extended format
and was a box-office and critical success.
Three years on and writers Damon Beesley and Ian
Morris have taken on the arguably even greater challenge of making a good
sequel off the back of a successful first film, and, thankfully, they’ve once again
succeeded. The potty mouthed teens may not feel quite as fresh as when they
first appeared on TV as alarmingly uncouth yet recognisable types from school, but
their mishaps still prove to be the source of plenty of laughs and good-natured
fun.
All the usual elements of plans going horribly wrong,
gross out humour, sit-com-structured misfortune, hilarious minor character
cameos (including one very satisfying appearance from Greg Davies’ Mr Gilbert) and
almost poetically filthy dialogue all remain. But most importantly of all is
that the characters still feel authentic. It is typical of long-running shows for
the writers to begin to lose focus on what makes the characters so appealing and
end up becoming overly reliant on more cartoonish elements like gross-out gags,
but everything that made the four inbetweeners recognisable and hilarious remain
intact.
Will’s (Simon Bird) still a neurotic dork and has,
inevitably, failed to make any friends at Uni; Simon’s (Joe Thomas) latest
relationship has, also inevitably, gone horribly wrong as it transpires that his
girlfriend is overly-controlling; Jay (James Buckley) is living in Australia
and e-mailing the others about his quite literally unbelievable stories; with
Neil (Blake Harrison), as dim-witted as ever, the only one to believe him, and
eager to catch a plane and join in the fun down-under. The others eventually
agree, and, upon finding Jay’s lifestyle to be not be quite as extravagant as
promised, decide to go travelling across the country.
Pleasingly, rather than set-up another clichéd ‘lads
on tour’ looking for girls scenario, the trip to Australia is used to return to
the original dynamic of the show – Will’s relation to the others. From the very
beginning of the show Will was cast as a misfit, the blazer-wearing ‘briefcase
wanker’ who did not fit in at his new comprehensive school. That tension is
reawakened when Will meets the kind of middle-class, Peruvian villager-befriending
backpackers (not ‘tourists’, as they’re adamant to remind everyone) that he
feels he ought to be friends with. But they could not be more different from
his actual friends, as hilariously illustrated in a scene where Neil, being
introduced to them for the first time, fails to comprehend the concept of a double-barrelled
surname.
In this sense, the sequel is actually more
interesting in terms of plot than the first film’s hunt for girls in Malia. Of
course, he has a love interest – one of those backpackers is childhood crush
Katie (Emily Berrington) – but the film is more interested in what she represents
than whether Will gets with her at the end. At the same time, there are perhaps
slightly less laughs and stand-out moments as the quartet’s bizarre dancing and
Simon’s ill-fated swim in the first film, and this time the hundred minute
running time – four times longer than an average episode – does feel a little
strained come the last act.
But overall this is yet another entertaining instalment
of the Inbetweeners franchise (given this film’s huge commercial success, it’s
perhaps time we referred to it as this). Although Simon Bird has said this will
probably be the last film, a threequel would certainly be welcome. And, given
how the writers continue to succeed with everything they’ve done with the
characters (OK, so perhaps not everything
- http://tinyurl.com/ahaz8qq ), that
rare feat of a successful trilogy seems plausible.
SP
SP
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